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Guru Dutt's son, Arun Dutt, said that he views this as an accident in an interview with India Abroad in October 2004 on the 40th anniversary of his father's death. Guru Dutt had scheduled appointments the next day with actress Mala Sinha for his movie Baharen Phir Bhi Aayengi, and Raj Kapoor to discuss making colour films. According to him, "my father had sleeping disorders and popped sleeping pills like any other person. That day he was drunk and had taken an overdose of pills, which culminated in his death. It was a lethal combination of excessive liquor and sleeping pills."
The extra-feature on DVD of Kaagaz Ke Phool has a 3 part Channel 4 produced documentary on the life and works of Guru Dutt titled In Search of Guru Dutt.
Guru Dutt was born to Shivashanker Rao Padukone and Vasanthi Padukone. His parents were Konkani speaking Chitrapur Saraswat Brahmins, originally settled at Panambur, a village in South Kanara district of present day state Karnataka (then Madras Province). His father was initially a headmaster, and then a bank employee. His mother Vasanthi, while initially a housewife, later taught in a school, gave private tuition and also wrote short stories and translated Bengali novels into Kannada. Vasanthi was only 16 when Guru Dutt was born.
The Uday Shankar India Culture Center at Almora taught dance, drama, and music. It aimed at combining the best of the Gurukula system with a modern Arts University, and tried to turn out well-rounded students, at home in many disciplines. A young Guru Dutt joined the center at age 16 in 1941 on a five-year scholarship of Rs. 75 annually (a lot of money then), and studied at Almora until 1944, when the advancing World War II forced the closing of the center.
Dutt had an unhappy marital life. According to his brother Atmaram, Guru Dutt was "a strict disciplinarian as far as work was concerned, but totally undisciplined in his personal life" (Kabir, 1997, p. 124). He smoked heavily, drank heavily, and kept odd hours. Guru Dutt's relationship with actress Waheeda Rehman also worked against their marriage. At the time of his death, he had separated from Geeta and was living alone. Geeta Dutt herself died in 1972 at age 41, after excessive drinking which resulted in liver damage. According to an interview with Abrar Alvi, one of Dutt's close friends and his assistant director in films, Dutt did not "open up" to discuss his thoughts and problems, even though they were spending many hours together.

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At the same time, one could usually guess which studio made which film, largely because of the actors who appeared in it; MGM, for example, claimed it had contracted "more stars than there are in heaven." Each studio had its own style and characteristic touches which made it possible to know this — a trait that does not exist today. For example, To Have and Have Not (1944) is famous not only for the first pairing of actors Humphrey Bogart (1899–1957) and Lauren Bacall (1924–) but also for being written by two future winners of the Nobel Prize in Literature: Ernest Hemingway (1899–1961), the author of the novel on which the script was nominally based, and William Faulkner (1897–1962), who worked on the screen adaptation.
In early 1910, director D.W. Griffith was sent by the Biograph Company to the west coast with his acting troupe, consisting of actors Blanche Sweet, Lillian Gish, Mary Pickford, Lionel Barrymore, and others. They started filming on a vacant lot near Georgia Street in downtown Los Angeles. While there, the company decided to explore new territories, traveling several miles north to Hollywood, a little village that was friendly and enjoyed the movie company filming there. Griffith then filmed the first movie ever shot in Hollywood, In Old California, a Biograph melodrama about California in the 19th century, when it belonged to Mexico. Biograph stayed there for months and made several films before returning to New York. After hearing about Biograph's success in Hollywood, in 1913 many movie-makers headed west to avoid the fees imposed by Thomas Edison, who owned patents on the movie-making process. In Los Angeles, California, the studios and Hollywood grew. Before World War I, movies were made in several U.S. cities, but filmmakers gravitated to southern California as the industry developed. They were attracted by the mild climate and reliable sunlight, which made it possible to film movies outdoors year-round, and by the varied scenery that was available. There are several starting points for cinema (particularly American cinema), but it was Griffith's controversial 1915 epic Birth of a Nation that pioneered the worldwide filming vocabulary that still dominates celluloid to this day.
In the earliest days of the American film industry, New York played a role. The Kaufman Astoria Studios in Queens, built during the silent film era, was used by the Marx Brothers and W.C. Fields. Chelsea, Manhattan was also frequently used. Mary Pickford, an Academy Award winning actress, shot some of her early films in this area. Other major centers of film production also included Chicago, Florida, California, and Cuba.
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Often the women in athletics also wear bikinis, not much larger than in beach volleyball. Amy Acuff, a US high-jumper, wore a black leather bikini instead of a track suit, at Sydney 2000 Summer Olympics. Runner Florence Griffith-Joyner mixed bikini bottoms with one-legged tights in Seoul 1988 Summer Olympics, which earned her more attention than her record breaking in Women's 200 meters. Towns like Porto Seguro in Brazil has become an attraction for beach athletics in bikini for the tourists.
The groundwork for the modern bikini began to be laid in 1907, when Australian swimmer and performer Annette Kellerman was arrested on a Boston beach for wearing a form-fitting one-piece swimsuit, which became an accepted beach attire for women by 1910. In 1913, inspired by the introduction of women into Olympic swimming, designer Carl Jantzen made the first functional two-piece swimwear, a close-fitting one-piece with shorts on the bottom and short sleeves on top. By the 1930s, necklines plunged at the back, sleeves disappeared and sides were cut away. Hollywood endorsed the new glamour with films such as Neptune's Daughter in which Esther Williams wore provocatively named costumes such as "Double Entendre" and "Honey Child". With new materials like latex and nylon, by 1934 the swimsuit started hugging the body and had shoulder straps to lower for tanning.
By the early 1940s two-piece swimsuits were frequent on American beaches. Hollywood stars such as Ava Gardner, Rita Hayworth and Lana Turner tried similar swimwear or beachwear. Pin ups of Hayworth and Esther Williams in the costume were widely distributed.
The bikini is typically a women's two-piece swimsuit. One part of the attire covers the breasts and the other part covers the crotch and part of or the entire buttocks, leaving an uncovered area between the two. Merriam–Webster describes the bikini as "a woman's scanty two-piece bathing suit" or "a man's brief swimsuit". It is often worn in hot weather, while swimming or sunbathing. The shapes of both parts of a bikini resemble women's underwear, and the lower part can range from revealing thong or g-string to briefs.
The bikini is perhaps the most popular female beachwear around the globe, according to French fashion historian Olivier Saillard due to "the power of women, and not the power of fashion". As he explains, "The emancipation of swimwear has always been linked to the emancipation of women." By the mid 2000s, bikinis had become a $811 million business annually, according to the NPD Group, a consumer and retail information company. The bikini has boosted spin-off services like bikini waxing and the suntanning industries.

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